Our Talented Team
Each dancer brings unique flair and dedication.
Artistic Leadership

Daet Rodriguez
Artistic Director
Daet was born and raised in Cuba and graduated from the National School of Ballet in Habana in 1990. His training consisted of his parents Jorge Rodriguez Vede and Clara Diaz along with Fernando Alonso, Alberto Alonso, Laura Alonso, Pablo More, and Lazaro Carreno. Daet's professional career began with Ballet de Camguey where he performed many classical and contemporary principal roles. In 1995, Mr. Rodriguez joined Teatro Centro Arte-Leon Febres Cordero in Ecuador where his Balanchine performance experience added to his professional repertoire. His career extended to many other countries including Cuba, Jamaica, Argentina, Chile, Mexico, Canada, Martinique, Guadalupe and the United States. In 2001, Daet and his wife Margit opened their own ballet school, Cuballet-Ecuador, where they served over 200 students in a classical and contemporary training program. Daet and Margit have trained numerous students for competitions such as Youth America Grande Prix, CAID in Ecuador, Latin-America Danza in Chile, Danzamerica in Argentina, All Dance International in Ecuador, and American Ballet Competition in the US. In February of 2015, Daet, Margit, and their two children moved to the United States to set ballets and choreography around the region before joining us here at The Georgia Ballet.

Margit Rodriguez
Ballet Mistress
Margit, born in Cuba and trained at the "Escuela Nacional de Ballet" in Havana, learned from esteemed teachers like Ramona de Saa, Laura Alonso, Loipa Araujo, Fernando Alonso, Jorge Vede, Alberto Alonso, and Clara Díaz. She began her career with the "Ballet de Camagüey" in Cuba, performing leading roles in classics like La Fille Mal Gardee, Swan Lake, Coppelia, Nutcracker, Sleeping Beauty, Grand Pas de Paquita, Don Quijote, and Giselle, as well as contemporary works such as "Carmen," "Tango Episodios," and "Vivaldiana." In 1998, Margit joined the "Teatro Centro de Arte - Leon Febres Cordero" ballet company in Ecuador, where she danced in various classic repertories and contemporary pieces. She also performed with the "Danzas Jazz" company in Ecuador in productions like "Cats," "Anita la Huerfanita," and more, working with renowned choreographers. Margit's talent took her to numerous countries in the Americas and the Caribbean, including Cuba, Jamaica, Argentina, Chile, Mexico, Canada, the USA, Martinique, Guadeloupe, and Ecuador. In 2010, she received the gold medal and the Medal of Excellence at the "Danzamerica 2010" event in Argentina. Margit ran her own academy, "Cuballet-Ecuador," from 2001 to 2015. Her students achieved success at various competitions in Ecuador, Chile, Argentina, and the USA, including the American Ballet Competition in Boston.
Principals
Each principal dancer brings exceptional artistry, leadership, and dedication.
Our principal dancers embody excellence, discipline, and artistry. With diverse experience and refined technique, they bring powerful storytelling and a shared passion that elevates every performance.

Zach Alden
Principal
Originally from San Jose California, Zachary began dancing in high school with South Bay Dance Center under Kit Ashleigh Dean and Anton Pankevich. He then went on to work with Ballet San Jose under the direction of Jose Carreño and Daliah Rawson as a trainee. In search to further his training he moved to Florida to train for five years with Magaly Suarez and Ibis Montoto at The Art of Classical Ballet. From there he went on to BalletMets second company for one season under the direction of Edward Liang before joining Atlanta Ballets Corp De Ballet for three seasons. Zachary is now a Principal Artist in his second season with The Georgia Ballet.

Shelby Chaney
Principal
Shelby Chaney began her ballet training at age nine in Auburn, Alabama under Carol Smith and Angie White. Her passion for dance grew through summer intensives with Montgomery Ballet, American Ballet Theatre, International Ballet Intensive, and the Gelsey Kirkland Academy of Classical Ballet in New York City. After her summer at GKA, she was invited to join their year-round program, spending three years training under Gelsey Kirkland and other renowned ballet masters. Shelby has been a company member with Georgia Ballet since 2017 and is currently celebrating her ninth season. Some of her favorite roles include Snow Queen and Sugar Plum Fairy in The Nutcracker, Carmen in Carmen, Alice in Alice in Wonderland, and Titania in A Midsummer Night’s Dream. Shelby is grateful to continue sharing her love of ballet with audiences each season at Georgia Ballet.

Mary Coon
Principal
A native of Syracuse, NY, Mary began her ballet training under Kathleen Rathbun at Ballet and Dance of Upstate New York. At 16, she was accepted into The Rock School for Dance Education in Philadelphia, where she trained intensively for two years. In 2017, she continued her studies at the Sarasota Cuban Ballet School, working with renowned instructors Ariel Serrano, Wilmian Hernandez, Delia Ballart, Tania Vergara Perez, as well as Ana Julia Bermudez and Ramona De Saa of the Cuban National Ballet School. Mary has participated in prestigious summer intensives, including The Chautauqua Institution of Dance, BalletMet, and The Bolshoi Ballet Academy. From 2022 to 2024, she was a company artist with Syracuse City Ballet, and in August 2024, she joined The Georgia Ballet. Mary is honored to continue her artistic journey with The Georgia Ballet and to share her passion for dance with audiences throughout the Atlanta community.

Ephraim Fowler
Principal
Ephraim began his formal dance training at age eight alongside his brothers in Myrtle Beach, South Carolina. As a member of the local youth ballet, he performed roles in The Nutcracker, Sleeping Beauty, Cinderella, and Coppélia. In 2015, he placed third at the Valentina Kozlova International Ballet Competition and was invited to compete in the New York Finals. He later competed at the 2018 World Ballet Competition, performing variations from Coppélia, Swan Lake, and Flower Festival, earning fifth place overall in the Pre-Professional Category. Ephraim has trained with Nashville Ballet and Kansas City Ballet and attended the South Carolina Governor’s School for the Arts and Humanities. At 17, he continued his training with Atlanta Ballet and performed for two seasons with Atlanta Ballet II. He is currently a company member with The Georgia Ballet. Recent roles include the Prince in Cinderella; Nutcracker Prince and Cavalier in The Nutcracker; Oberon in A Midsummer Night’s Dream; Brom and Ichabod in Sleepy Hollow; the White Rabbit in Alice in Wonderland; and Count Dracula in Bram Stoker’s Dracula.
First Soloists
Each First Soloist demonstrates leadership, technical strength, and expressive performance on stage.
Our First Soloists exemplify artistry, technical excellence, and refined stage presence. With advanced experience and a strong command of performance, they bring nuance, confidence, and emotional depth to leading roles and featured repertoire.

Avery Jarrard
First Soloist
Avery Jarrard, originally from Crestview, Florida, started dancing at age 8, attending the Northwest Florida Ballet Academy. In 2014 at age 12, he was accepted into Next Generation Ballet in Tampa, Florida, with a full scholarship and trained under Peter Stark, Philip Neal, Julio Montano, and Ivonne Lemus. Avery received first place for classical and contemporary at ADC/IBC in 2016, and then in 2018 received second place for classical and third place for contemporary. In 2016, he participated in the New York City Finals with YAGP. In 2018 he was accepted into Houston Ballet's level Pro-2. While there, he performed with the second company in Stanton Welch's Brigade. In 2021 he was hired with Atlanta Ballet 2 and stayed with them for 3 seasons. In 2024, he merged his two passions by becoming a ballet accompanist. Now, he is beginning his second season with the Georgia Ballet.

Mayuri Pradhan
First Soloist
Mayuri has been dancing with the Georgia Ballet for 15 years—12 years as a student in the school and now beginning her third season as a First Soloist. Throughout her training, she has performed a variety of roles, including Friends in Sleepy Hollow, Brides in Dracula, Snow Queen in The Nutcracker, Alice in Alice in Wonderland, and most recently, Dorthy in The Wonderful Wizard of Oz. She has earned recognition at prestigious competitions such as YAGP, UBC, and ADCIBC. Beyond her performance experience, Mayuri has choreographed several contemporary solos and group pieces, and she is currently in her third year of teaching at the School of the Georgia Ballet. She is excited to continue growing in her third season with the Company!

Grace Stone
First Soloist
Grace Stone grew up in Jacksonville, FL. Mentored by Megan Knickerbocker, a former company artist with American Ballet Theatre. She ventured into the competition world, receiving many awards and scholarships. Grace’s primary source of training was with The Florida Ballet. She participated in ABT exams, becoming certified on several levels. She performed with Coy Ballet, a ministry company based in Middleburg, FL. Grace broadened her dance education with summer intensives at schools such as Joffrey Ballet, Orlando Ballet, Atlanta Ballet, Alabama Ballet, Nashville Ballet, Perla Ballet and Ballet Magnificat. In 2017, Grace moved to Blue Ridge, GA and began teaching and competing with Studio 1 Performing Arts. She then auditioned and was accepted into the ministry touring company, Unity Dance Troupe in Cleveland, TN. This company was contemporary and ballet focused, and brought Bible stories to life through the art of dance. Grace was a vital part of their company for five years and was a principle dancer her last 2 seasons. She also plays a role in the company’s school, teaching and choreographing. Grace was apart of Woodstock School of Ballet staff for a few seasons. She is now a major role at Studio 1 performing arts directing the ballet departments of the studio and has had the honor of choreographing their entire nutcracker for the past three years. She enjoys watching the next generation of dancers grow. Grace is now on her fourth season with The Georgia Ballet. Her favorite performances to be apart of thus far here have been “A Midsummer Night’s Dream”, “Dracula” and “Wizard Of Oz”. She’s seen so much growth in herself and is grateful to be under the guidance of encouraging staff.
Soloists
Each soloist brings versatility, growth, and dedicated passion.
Our soloists demonstrate versatility, precision, and strong stage presence. With growing experience and technical skill, they bring energy, expression, and depth to each performance.

Caroline Hudson
Soloist
Caroline Hudson grew up in Baltimore, MD and began her training at Baltimore Ballet with private coaching from Emily Norris. In high school she attended The Washington School of Ballet’s professional training program. She later attended Pittsburgh Ballet Theatre School’s Graduate Program and performed with the professional company in productions such as Le Corsaire, The Nutcracker, and Beauty and the Beast. She was then offered an apprenticeship with Rochester City Ballet where she danced for two seasons. She was then offered a company position at Ballet Tucson where she danced a number of corps and soloist roles for four seasons. This will be her fifth season with The Georgia Ballet where her favorite roles have included Summer Fairy in Cinderella, Butterflies in A Midsummer Nights Dream, and Merlitons in The Nutcracker.

Ava Mae Kramer
Soloist
Ava Mae is currently in her fifth season with The Georgia Ballet. She began her dance training at the age of two and has competed in numerous regional and national competitions, earning multiple titles. Ava Mae went on to join The Georgia Ballet’s Conservatory in 2020, where her dedication to ballet and passion for performance continued to flourish. She joined the professional company in 2022, in her time with the company she has performed a variety of roles, with some of her favorites including Helena in A Midsummer Night’s Dream and one of Dracula’s Brides. Ava Mae is looking forward to her third season as a soloist and is grateful for the opportunity to continue pursuing her passion for dance. She would like to thank her family, friends, and teachers for their continued support.

Stephanie Lozier
Soloist
Born and raised in Georgia, Stephanie Lozier began dancing at age 4 at Dance for His Glory and continued her ballet training at Atlanta Academy of Ballet and Dance under the direction of Susan Beebe. She had the privilege of dancing as Arabian and the Sugarplum Fairy in The Nutcracker, Queen of Dryads in Don Quixote, and a few others. She received scholarships and attended summer intensives at Charlotte Ballet, Next Generation Ballet, Kennesaw State University, and Atlanta Academy of Ballet and Dance. Stephanie received third place at Universal Ballet Competition in 2018 and fifth place trio at Youth America Grand Prix in 2020. She attended Kennesaw State University’s dance program in 2020 and became a company member with the Georgia Ballet in 2021. She has enjoyed dancing as Winter Fairy in “Cinderella”, Hermia in “A Midsummer Night’s Dream”, Arabian in “The Nutcracker”, Ballerina Doll in “The Nutcracker”, soldier doll in “The Nutcracker”, and Caterpillar in “Alice in Wonderland” at the Georgia Ballet. Stephanie is enjoying her 6th season with the Georgia Ballet.

Rachel Row
Soloist
Born in Marietta, Georgia, Rachel began her classical ballet training at the age of two and joined the School of The Georgia Ballet at age five. In 2016, she was accepted into the school’s Conservatory program, where she performed in numerous productions, including Giselle, La Fille Mal Gardée, Peter Pan, Sleepy Hollow, Sleeping Beauty, and The Nutcracker. Rachel competed in Youth America Grand Prix seven times, earning Top 12 for a contemporary solo, third place for a group piece, and advancing to the New York Finals four times. She also placed 13th for a self-choreographed contemporary solo at Universal Ballet Competition. Her summer studies include intensives at The Georgia Ballet from 2015–2021, American Ballet Theatre Alabama in 2017 and Florida in 2018, and Boston Ballet in 2019, 2021, and 2022. In 2022, Rachel joined The Georgia Ballet’s Professional Company as a trainee, advanced to the corps de ballet the following year, and was later promoted to Soloist. She is now in her third season as a Soloist with The Georgia Ballet. Her featured roles include Lead Butterfly in A Midsummer Night’s Dream, Autumn Fairy in Cinderella, the Cheshire Cat in Alice in Wonderland, one of Dracula’s Brides in Dracula, and the Good Witch in The Wonderful Wizard of Oz. Beyond her work with The Georgia Ballet, Rachel has expanded her performance experience through guest appearances, contemporary dance festivals, and community performances. Highlights include guest performing with Ballet Inc. in Charlotte in 2023, as well as appearances at the Modern Atlanta Dance Festival and International Festival in 2025. In addition to performing, Rachel serves as The Georgia Ballet’s Marketing Director, overseeing the organization’s marketing, communications, advertising, social media, website, and promotional efforts.

Jessica Sullivan
Soloist
Jessica Sullivan started her ballet training at the age of 6 with The Georgia Ballet. After graduating high school, she spent a year as a company trainee with The Georgia Ballet’s Company. She then moved to San Francisco to train under Alonzo King LINES Training Program. That program lasted two years, and she worked under many talented choreographers and artists such as Gregory Dawson, David Harvey, Maury’s Kurr, and workshops from Alonzo himself. She moved back to Georgia to dance professionally with The Georgia Ballet in the spring of 2024. She went on to spend another season with the Georgia Ballet in 2025 and is now excited to go onto her 3rd season with the Georgia Ballet as a soloist!
Corps De Ballet
Each corps de ballet dancer brings unity, precision, and shared artistry.
Our corps de ballet embodies unity, precision, and collective artistry. As an ensemble, they form the foundation of each production, bringing strong technique, cohesion, and energy that elevate every performance.

Jessica Baldwin
Jessica, 21, is currently in her fourth season as a member of the corps de ballet with The Georgia Ballet. She has been dancing for 18 years, including eleven years with The Georgia Ballet. Jessica began her training at Springfield Ballet in Missouri and, after moving to Georgia in 2015, continued her training with the International City School of Ballet and Roswell Dance Theatre. She joined The Georgia Ballet after attending its 2016 summer intensive and has remained with the company since. In the summer of 2022, she trained on scholarship with Next Generation Ballet in Tampa, Florida. Jessica has competed in several ballet competitions, including the 2023 Youth America Grand Prix, where she placed in the Top 12 for senior classical solo and Top 24 for senior contemporary solo. Some of her favorite roles include Clara in The Nutcracker, a Lost Boy in Peter Pan, and the Cheshire Cat in Alice in Wonderland. She is excited for the upcoming season!

Maya Beck
Maya Beck is originally from downtown Chicago and began her studies of dance at the Ruth Page Center for the Arts. Throughout her training, Maya was very fortunate to participate in several cultural exchange programs with dance schools around the world. In high school, she traveled to Havana, Cuba three times to train and perform with the Cuban National Ballet School. She later traveled to A Coruña, Spain and danced alongside the students of the Conservatorio Profesional de Danza. After graduation, Maya continued her professional training at the University of North Carolina School of the Arts, where she received opportunities to perform a wide range of classical and contemporary repertoire. Some of her favorites include George Balanchine’s Symphonie Concertante, and a ballet choreographed by Tom Gold, titled The Next Stop is… . In 2023, she graduated from UNCSA with her BFA in Ballet Performance, and spent the subsequent season at The Georgia Ballet as a student trainee. Maya is thrilled to now be in her third season with the professional company as a Corps de Ballet member!

Mary Grace Campbell
Atlanta native Marygrace Campbell began her training at The Buford School Of Ballet and Metropolitan ballet Theatre before continuing professionally with Ballet Conservatory of North Georgia. Over her 15 years of training, she earned numerous awards and scholarships from American Academy of ballet, Houston Ballet, Charlotte Ballet, Milwaukee Ballet, Cincinnati Ballet, and Sacramento Ballet. Her summer studies included intensive at AAB– Vassar College, AAB – SUNY purchase, Tulsa Ballet, Houston Ballet, Nashville Ballet, and the Sarasota Ballet. Upon graduating, Marygrace was invited on scholarship to join the Sarasota Ballet as a trainee before joining the Georgia Ballet. As she looks forward to her third season as a corps de ballet member with the Georgia Ballet, Marygrace gives all glory to Jesus and thanks her family and friends for their constant love and support. For with God, nothing shall be impossible -Luke 1:37

Rose Castell
Rose Castell was born in North Carolina and started dancing at four years old. During high school she trained with the Charlotte Ballet Academy under esteemed teachers including Patricia McBride, Lazlo Berdo, and Katie Mayo. There she had the opportunity to perform in Jean-Pierre Bonnefoux’s original choreography in Charlotte Ballet’s The Nutcracker. Rose continued her training at The University of North Carolina School for the Arts. There she trained in the top level under Jennet Zerbe and Laura Martin. She had many performance opportunities including Serenade, Symphony Concertante, Firebird, and several contemporary works. She graduated with a Bachelor of Fine Arts, a minor in Arts Entrepreneurship, and a certification in teaching Pilates. After graduating, she moved to Georgia to join The Georgia Ballet as a company dancer. This is Rose’s third season with The Georgia Ballet.

Elaina Cordray
Elaina is from Knoxville, TN and grew up dancing with the Oak Ridge Civic Ballet association and training at A Dancer’s Place under Jan Valenti. During her time at ORCBA she performed several classical works including The Sleeping Beauty, Swan Lake, and The Nutcracker. During high school, she spent her summers training at the Nashville Ballet, UNCSA, and the Boston Ballet. At these intensives she had the opportunity to work with amazing instructors including Julia Eisen, Michelle Gifford, and Miranda Weese. She was also a 2022 scholarship recipient of the Anthony Quinn foundation and the Dancing Angels foundation. This is Elaina's third season with the Georgia Ballet, and she is looking forward to all performances this season!

Maddy Crone
A Georgia native, Maddy Crone trained at Steps of Faith from 2011–2016, where she performed in lead roles. She danced with the Orangeburg Civic Ballet in South Carolina during the 2017–2018 season, performing as the Dew Drop and Snow Queen in The Nutcracker and Tiger Lily in Peter Pan. After graduating high school, Maddy spent one year with the company at The Georgia Ballet and three years with Addereth Contemporary Ballet. She is currently in her second season with The Georgia Ballet. Maddy is also a teacher at The School of the Georgia Ballet, where she teaches ballet and contemporary.

Mia Crumly
Mia began her ballet training at age six with The Georgia Ballet where she progressed through the School, Conservatory, and Trainee Program. Following her graduation from The Georgia Ballet School she spent two years with Ballet West Academy in the Professional Training Division under the instruction of Bridget Payne, Courtney Hellebuyck, Katherine Lawrence, Catherine Batcheller, and Evelyn Cisneros-Legate. She performed many different roles with Ballet West Academy including the Coulante Fairy in Sleeping Beauty. From there Mia continued her training with The Sarasota Ballet as a Trainee. For the last two years she has grown her passion for dance under the instruction of Christopher Hird, Dierdre Miles-Burger, Addul Manzano, and Risa Kaplowitz. Her favorite roles with The Sarasota Ballet include Waltz of the Flowers demi-soloist and Spanish lead. Mia is thrilled to be returning home for her first season with The Georgia Ballet's professional company.

Kristina Deamer
Kristina Deamer is beginning her second third as a corps member with The Georgia Ballet. She began dancing at the age of three and trained for 15 years at the Lionville School of Dance in Downingtown, PA, where she studied a wide range of styles including ballet, jazz, contemporary, and tap. During her training, she competed in numerous competitions such as YAGP and Imagine Dance, performing across multiple disciplines. Kristina also attended several summer intensives throughout her training, including programs with the Dallas Conservatory, Orlando Ballet, and the University of South Carolina. After graduating high school, she moved to Georgia to train in the School of the Georgia Ballet's conservatory program, dancing as a student trainee with the professional company. Following her graduation from the conservatory, she joined The Georgia Ballet Company and is deeply grateful for the opportunity to train and perform alongside its dedicated faculty and artists.

Madelyn Groth
Madelyn is entering her second season dancing professionally with Georgia Ballet. She joined the company in 2025 after graduating from Western Kentucky University’s Mahurin Honors College with a double major in Dance and Ballet Pedagogy. As a member of the WKU Dance Company from 2021–2025, Madelyn performed in works including “Beethoven Séptima Sinfonía,” choreographed by Jorge Lefebre, “Fairy Doll” after Joseph Hassreiter, and “Bluebird Pas de Deux” after Marius Petipa. Madelyn’s training and performance experience include both classical and contemporary ballet. She has presented original choreography, including a contemporary ballet pas de deux, and participated in adjudicated student choreography productions. She also received a Faculty Undergraduate Student Research Grant to study ballet partnering across different eras, with opportunities to engage with Dutch National Ballet and Miami City Ballet. Outside of the company, she teaches ballet and other dance styles at studios throughout the surrounding area. Madelyn is excited to continue developing as an artist and performer with Georgia Ballet and looks forward to another season.

Grace Hopper
Grace grew up in the small town of Enumclaw, WA, where she performed a wide variety of productions with youth company Plateau Ballet Repertory Theatre throughout her childhood. She graduated from Enumclaw High School, earning her Associates degree from Green River College at the same time. After graduation, Grace was a trainee with State Street Ballet, while also performing with contemporary company Selah Dance Co. She then joined Charlottesville Ballet as a trainee and instructor for 2 seasons. Grace started at The Georgia Ballet as a Student Trainee in 2024, where she got the opportunity to train and perform alongside both the school and the company. This will be her 2nd season in the professional company, and she is very excited to continue dancing with GAB!

Marisol Lockhart
Marisol Lockhart was born and raised in Georgia. She began her dance training at Buford School of Ballet when she was 2 years old, and joined their preprofessional company, Georgia Christian Dance Theatre at 12 years old. Soon after, she joined the Ballet Conservatory of North Georgia under the instruction of Andrea Pell when she was 13. At the age of 16, Marisol received a trainee position with the Charlotte Ballet, and relocated to North Carolina in order to train under the instruction of Laszlo Berdo, Kati Mayo, and the legendary Patricia McBride for 2 years from 2023-2025. While at Charlotte Ballet, Marisol had the opportunity to perform a solo from the Odalisque pas de trois, and George Balanchine’s Tchaikovsky Pas de Deux under the guidance of Patricia McBride. While at Charlotte Ballet, she also had the amazing opportunity to be interviewed by Pointe Magazine. Upon completion of high school, she joined the Georgia Ballet’s Second Company for one season before being promoted to the professional company for the 2026/2027 season. Marisol is excited to see the fruits that this season will bring!

Sarah Beth Murphree
Sarah Beth is from Tupelo, Mississippi and began her ballet training at North Mississippi Dance Center under the direction of Sarah Karrant. She then joined the Tupelo Civic Ballet pre-professional company, where she danced until graduating high school. She then attended the University of Alabama, earning a Bachelor’s degree in dance. At Alabama, she was also a member of the university’s repertory company. After college, Sarah Beth joined the Georgia Ballet as a student trainee before being promoted to the company for the 2025-2026 season.

Kyra Opdyke
Kyra Opdyke is originally from Atlanta, Georgia, and began her early dance training in Maryland before returning to Atlanta to study at the Atlanta Academy of Ballet and Dance under Susan Beebe. She graduated cum laude with High Distinction from Butler University, where she earned a B.F.A. in Dance Performance and a minor in Music, specializing in voice. While at Butler Ballet, Kyra performed leading roles including Dew Drop and Arabian Lead in The Nutcracker and Fastrada in Butler Theatre’s production of Pippin. She also performed in George Balanchine’s Serenade, staged by Deborah Wingert, and Ourfire, a new work by Jennifer Archibald. Additionally, Kyra has attended summer intensives with Atlanta Ballet, Cincinnati Ballet, and The Kirov Academy. This is Kyra’s third season as a Corps de Ballet member with The Georgia Ballet, where she has been featured as the Caterpillar in Alice in Wonderland, as well as Queen of the Ghouls and Lucy in Dracula. In addition to ballet, Kyra performs in the Atlanta theatre community as a singer and actor and teaches at local dance studios. She is excited to continue growing as an artist with The Georgia Ballet!

Carys Rieppel
Carys Rieppel is originally from Columbus, Ohio, where she began her training at Dublin Dance Center and Gymnastics. She attended numerous summer intensives, including Joffrey Chicago and BalletMet. Carys became a BalletMet Trainee in 2023 before joining Roanoke Ballet Theatre for a season. She joined The Georgia Ballet in 2025 and is thrilled to be returning for her second season to continue growing and dancing with the company.

Haley Rohr
Haley Rohr began dancing at age 8 in Savannah, GA. She has trained year-round at The Orlando Ballet School under the direction of Dierdre Burger, followed by a two year Traineeship at Philadelphia Ballet(formerly Pennsylvania Ballet). She is a graduate of the Alonzo King Lines BFA Program with a BFA in Dance and a Minor in English, Emphasis on Creative Writing. Haley has trained at many summer intensives including Miami City Ballet, Ballet Chicago, Sacramento Ballet, etc; her favorite roles have been Waltz Girl in George Balanchine’s Serenade, Five Girls in George Balanchine’s Who Cares, and Colby Damon’s original solo work Ally. As a corps de ballet member at The Georgia Ballet, she is also a teacher, choreographer, and Assistant School Director of The School of Georgia Ballet. Haley Rohr has previously presented her original works and placed at the following: The Modern Atlanta Dance Festival 2025, ABC/IBC and Ballet Championships America. She is looking forward to her fourth season.

Lilla Simmons
Lilla was born and raised in Macon, GA. She began her ballet training at the age of three under the instruction of Jean Weaver and Alice Sheridan at Dance Arts Studio. She was a member of Middle GA Youth Ballet, a non-profit organization, for four years. Lilla also danced in Middle GA's production of The Nutcracker for ten years where she enjoyed many roles; among her favorites were Columbine Doll and Clara. She trained summers away at CPYB in Pennsylvania, Next Generation Ballet in Tampa and Carolina Ballet in NC. After graduating high school from First Presbyterian Day School in 2023, she continued her education at the University of South Carolina for one year majoring in dance and is now continuing her studies online. In 2024, Lilla joined GA Ballet as a student trainee in 2024 and she is now entering her second seasobn as a Corps de Ballet company member.

Miranda Thomas
Miranda Thomas, a professional dancer with The Georgia Ballet, began dancing at age 3. At age 8, she began to focus her training on developing her ballet and contemporary technique. From ages 12-15 she trained with Miguel Campaneria, and from 16-19 she attended the professional training program at Cary Ballet Conservatory under the direction of Mariaelena Ruiz. While at CBC, she was given the amazing opportunity to perform in Balanchine’s Serenade, set by renowned ballerina Suzanne Farrell. Miranda completed a two-year trainee program at the Florida Ballet, before joining The Georgia Ballet in 2025.

Iris VanWieren
Iris VanWieren began dancing at four years old and started her early training at Buford School of Ballet, where she developed a deep love for the arts. Throughout her childhood, she moved multiple times but continued dancing and exploring a variety of styles, including tap, jazz, contemporary, musical theater, and English country dancing. After returning to Georgia, Iris joined the Ballet Conservatory of North Georgia to further her training under Andrea Pell, while also dancing with Buford School of Ballet. After completing high school, Iris joined and graduated from Ballet 5:8’s Trainee Program, where she became teacher certified in three levels of the Vaganova ballet technique. During this time, she performed in several ballets, including The Dreamer as Leah and Wayward Daughter as the Queen/Mother, where she performed her first pas de deux. Iris later danced with Ballet Hartford, performing a wide range of classical and contemporary works by guest choreographers. Along with this, she performed as a guest artist in Swan Lake for Woodbury Ballet. Iris is now back in Georgia dancing with the Georgia Ballet’s professional company, teaching ballet, and pursuing a degree in Business Management at Kennesaw State University—living out her dream.
Our Second Company represents the next generation of artists, grounded in discipline, collaboration, and a shared pursuit of excellence. Together, they bring strength, cohesion, and vitality to each production.
