Our Talented Team
Each dancer brings unique flair and dedication.
Artistic Leadership

Daet Rodriguez
Artistic Director
Daet was born and raised in Cuba and graduated from the National School of Ballet in Habana in 1990. His training consisted of his parents Jorge Rodriguez Vede and Clara Diaz along with Fernando Alonso, Alberto Alonso, Laura Alonso, Pablo More, and Lazaro Carreno. Daet's professional career began with Ballet de Camguey where he performed many classical and contemporary principal roles. In 1995, Mr. Rodriguez joined Teatro Centro Arte-Leon Febres Cordero in Ecuador where his Balanchine performance experience added to his professional repertoire. His career extended to many other countries including Cuba, Jamaica, Argentina, Chile, Mexico, Canada, Martinique, Guadalupe and the United States. In 2001, Daet and his wife Margit opened their own ballet school, Cuballet-Ecuador, where they served over 200 students in a classical and contemporary training program. Daet and Margit have trained numerous students for competitions such as Youth America Grande Prix, CAID in Ecuador, Latin-America Danza in Chile, Danzamerica in Argentina, All Dance International in Ecuador, and American Ballet Competition in the US. In February of 2015, Daet, Margit, and their two children moved to the United States to set ballets and choreography around the region before joining us here at The Georgia Ballet.

Margit Rodriguez
Ballet Mistress
Margit, born in Cuba and trained at the "Escuela Nacional de Ballet" in Havana, learned from esteemed teachers like Ramona de Saa, Laura Alonso, Loipa Araujo, Fernando Alonso, Jorge Vede, Alberto Alonso, and Clara DÃaz. She began her career with the "Ballet de Camagüey" in Cuba, performing leading roles in classics like La Fille Mal Gardee, Swan Lake, Coppelia, Nutcracker, Sleeping Beauty, Grand Pas de Paquita, Don Quijote, and Giselle, as well as contemporary works such as "Carmen," "Tango Episodios," and "Vivaldiana." In 1998, Margit joined the "Teatro Centro de Arte - Leon Febres Cordero" ballet company in Ecuador, where she danced in various classic repertories and contemporary pieces. She also performed with the "Danzas Jazz" company in Ecuador in productions like "Cats," "Anita la Huerfanita," and more, working with renowned choreographers. Margit's talent took her to numerous countries in the Americas and the Caribbean, including Cuba, Jamaica, Argentina, Chile, Mexico, Canada, the USA, Martinique, Guadeloupe, and Ecuador. In 2010, she received the gold medal and the Medal of Excellence at the "Danzamerica 2010" event in Argentina. Margit ran her own academy, "Cuballet-Ecuador," from 2001 to 2015. Her students achieved success at various competitions in Ecuador, Chile, Argentina, and the USA, including the American Ballet Competition in Boston.
Principals
Each principal dancer brings exceptional artistry, leadership, and dedication.
Our principal dancers embody excellence, discipline, and artistry. With diverse experience and refined technique, they bring powerful storytelling and a shared passion that elevates every performance.

Zach Alden
Principal
Originally from San Jose California, Zachary began dancing in high school with South Bay Dance Center under Kit Ashleigh Dean and Anton Pankevich. He then went on to work with Ballet San Jose under the direction of Jose Carreño and Daliah Rawson as a trainee. In search to further his training he moved to Florida to train for five years with Magaly Suarez and Ibis Montoto at The Art of Classical Ballet. From there he went on to BalletMets second company for one season under the direction of Edward Liang before joining Atlanta Ballets Corp De Ballet for three seasons. Zachary is now a Principal Artist in his second season with The Georgia Ballet.

Shelby Chaney
Principal
Shelby Chaney began her ballet training at age nine in Auburn, Alabama under Carol Smith and Angie White. Her passion for dance grew through summer intensives with Montgomery Ballet, American Ballet Theatre, International Ballet Intensive, and the Gelsey Kirkland Academy of Classical Ballet in New York City. After her summer at GKA, she was invited to join their year-round program, spending three years training under Gelsey Kirkland and other renowned ballet masters. Shelby has been a company member with Georgia Ballet since 2017 and is currently celebrating her ninth season. Some of her favorite roles include Snow Queen and Sugar Plum Fairy in The Nutcracker, Carmen in Carmen, Alice in Alice in Wonderland, and Titania in A Midsummer Night’s Dream. Shelby is grateful to continue sharing her love of ballet with audiences each season at Georgia Ballet.

Mary Coon
Principal
A native of Syracuse, NY, Mary began her ballet training under Kathleen Rathbun at Ballet and Dance of Upstate New York. At 16, she was accepted into The Rock School for Dance Education in Philadelphia, where she trained intensively for two years. In 2017, she continued her studies at the Sarasota Cuban Ballet School, working with renowned instructors Ariel Serrano, Wilmian Hernandez, Delia Ballart, Tania Vergara Perez, as well as Ana Julia Bermudez and Ramona De Saa of the Cuban National Ballet School. Mary has participated in prestigious summer intensives, including The Chautauqua Institution of Dance, BalletMet, and The Bolshoi Ballet Academy. From 2022 to 2024, she was a company artist with Syracuse City Ballet, and in August 2024, she joined The Georgia Ballet. Mary is honored to continue her artistic journey with The Georgia Ballet and to share her passion for dance with audiences throughout the Atlanta community.

Ephraim Fowler
Principal
Ephraim began his formal dance training at age eight alongside his brothers in Myrtle Beach, South Carolina. As a member of the local youth ballet, he performed roles in The Nutcracker, Sleeping Beauty, Cinderella, and Coppélia. In 2015, he placed third at the Valentina Kozlova International Ballet Competition and was invited to compete in the New York Finals. He later competed at the 2018 World Ballet Competition, performing variations from Coppélia, Swan Lake, and Flower Festival, earning fifth place overall in the Pre-Professional Category. Ephraim has trained with Nashville Ballet and Kansas City Ballet and attended the South Carolina Governor’s School for the Arts and Humanities. At 17, he continued his training with Atlanta Ballet and performed for two seasons with Atlanta Ballet II. He is currently a company member with The Georgia Ballet. Recent roles include the Prince in Cinderella; Nutcracker Prince and Cavalier in The Nutcracker; Oberon in A Midsummer Night’s Dream; Brom and Ichabod in Sleepy Hollow; the White Rabbit in Alice in Wonderland; and Count Dracula in Bram Stoker’s Dracula.
First Soloists
Each First Soloist demonstrates leadership, technical strength, and expressive performance on stage.
Our First Soloists exemplify artistry, technical excellence, and refined stage presence. With advanced experience and a strong command of performance, they bring nuance, confidence, and emotional depth to leading roles and featured repertoire.

Avery Jarrard
First Soloist

Mayuri Pradhan
First Soloist

Grace Stone
First Soloist
Soloists
Each soloist brings versatility, growth, and dedicated passion.
Our soloists demonstrate versatility, precision, and strong stage presence. With growing experience and technical skill, they bring energy, expression, and depth to each performance.

Caroline Hudson
Soloist

Ava Mae Kramer
Soloist

Stephanie Lozier
Soloist

Rachel Row
Soloist

Jessica Sullivan
Soloist
Corps De Ballet
Each corps de ballet dancer brings unity, precision, and shared artistry.
Our corps de ballet embodies unity, precision, and collective artistry. As an ensemble, they form the foundation of each production, bringing strong technique, cohesion, and energy that elevate every performance.

Jessica Baldwin

Maya Beck

Mary Grace Campbell

Rose Castell

Elaina Cordray

Maddy Crone

Mia Crumly

Kristina Deamer

Madelyn Groth

Grace Hopper

Marisol Lockhart

Sarah Beth Murphree

Kyra Opdyke

Carys Rieppel

Haley Rohr

Lilla Simmons

Miranda Thomas

Iris VanWieren
Our Second Company represents the next generation of artists, grounded in discipline, collaboration, and a shared pursuit of excellence. Together, they bring strength, cohesion, and vitality to each production.

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